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October 2007 Archives

October 7, 2007

Sea Adventures

They that go down to the sea in ships, that do business in great waters; These see the works of the LORD, and his wonders in the deep. For he commandeth, and raiseth the stormy wind, which lifteth up the waves thereof. They mount up to the heaven, they go down again to the depths: their soul is melted because of trouble. They reel to and fro, and stagger like a drunken man, and are at their wits' end. Then they cry unto the LORD in their trouble, and he bringeth them out of their distresses. He maketh the storm a calm, so that the waves thereof are still. Then are they glad because they be quiet; so he bringeth them unto their desired haven. Psalms, 107:23-30, KJV

The ships have gotten bigger and bigger, but there are fewer and fewer people that earn their living from the sea. How many people do you know that travel upon the water for their livelihood? It is sort of like farming; once nearly everyone made their living from the land, but we are down to one or two percent at this point. The jolly tar and salt-sea sailor are endangered species.

If there are fewer people than ever plowing the oceans, still the literature of the sea holds us in its grip. At the moment I am in the process of building a book list, Adventures on the High Sea. I knew there were going to be a lot of good candidate books when I started, but even so I have been taken aback by just how many there are. It seems every time I cast my mind to the list, I have thought of four or five more that I had overlooked.

What is it that holds our fascination so long after we have separated ourselves from the sea other than when we, lemming like, go down to the sea in summer, to wash away some of our city living and reconnect to that ancient body of water?

They say the sea is cold, but the sea contains the hottest blood of all, and the wildest, the most urgent. D.H. Lawrence "Whales Weep Not!"
Sit in reverie and watch the changing color of the waves that break upon the idle seashore of the mind. Henry Wadsworth Longfellow

Perhaps it is the ancestral sea from which we all emerged. It is said that the chemistry of our blood, in its mineral elements, matches that of the sea. Perhaps it is that for so many thousands of years we never strayed far from the shore. For the first twenty thousand years after emerging from Africa, modern man survived by living close to the shoreline, gathering sustenance from land and sea.

We are as near to heaven by sea as by land. Last words of Sir Humphrey Gilbert (see Thing Finder)

Perhaps it is simply that the sea lends itself to great stories. A tale set at sea combines confined spaces on open waters, hierarchical control of the ship yet at the mercies of the unpredictable elements, the struggle for survival not only against the elements but often against fellow man, and the chance for nobility to be displayed in the face of peril (See Thing Finder for the story of the HMS Birkenhead). And always the peril, the ever-present danger.

No man will be a sailor who has contrivance enough to get himself into jail; for being in a ship is being in a jail, with the chance of being drowned. . . . He who would go to sea by choice would go to hell for recreation. Samuel Johnson in Boswell's Life
A ship in port is safe, but that's not what ships are built for. Grace Murray Hopper
A great ship asks deep water. George Herbert

Herman Melville uses this primeval attraction of the sea at the very beginning of his novel to launch Moby Dick.

Whenever I find myself growing grim about the mouth; Whenever it is damp, drizzly November in my soul; Whenever I find myself involuntarily pausing before coffin warehouse, And bringing up the rear of every funeral I meet; And especially whenever my hypos get such an upper hand of me that it requires a strong moral principal to prevent me from deliberately stepping into the street, and methodically knocking people's hats off - then, I account it high time to get to sea as soon as I can
There is plenty of material for a speculative dissertation, but whatever its source, the tie between man and sea still exists, still fascinates. Stories, true and fictional, are still being written. Below is the barest smattering of books to do with the sea. Check out the book list Adventures on the High Sea for a more complete and ever growing list.

Picture Books

Tim and the Brave Sea Captain by Edward Ardizzone
The Little Ships by Louise Borden
Arabella by Wendy Orr
The Edmund Fitzgerald by Kathy-Jo Wargin and illustrated by Gijsbert Van Frankenhuyzen
The Ballad of the Pirate Queens by Jane Yolen and illustrated by David Shannon

Independent Readers

Shipwrecked The True Adventures of Japanese Boy by Rhoda Blumberg
Powder Monkey by Paul Dowswell
The Story of the H.L. Hunley and Queenie's Coin by Fran Hawk and illustrated by Dan Nance
Midshipman Bolithio by Alexander Kent

Young Adult

The Last Stand of the Tin Can Sailors by James D. Hornfischer
Endurance Shackleton's Incredible Voyage by Alfred Lansing
A Night to Remember by Walter Lord
The Cruel Sea by Nicholas Monsarrat
Master and Commander by Patrick O'Brian
In the Heart of the Sea The Tragedy of the Whaleship Essex by Nathaniel Philbrick
The Caine Mutiny by Herman Wouk

October 14, 2007

Harvest

As I write, I look out a window onto a crisp autumn day. The green woods, with daubs of color here and there, don't really look like fall is here, but as you sit still and listen, you hear the occasional patter of acorns falling to the ground, squirrels more busily going about their business, and even occasionally the honk, caw and cackle of various flocks beginning to gird themselves for their next big migration. The sun, instead of beating down from a bleached sky, as it did but a couple of months ago, now quietly slants in from the side, the air seeming crisper, the light more revealing. The shadows are different and the clean light plays about the leaves, showing off a broad palette of greens and yellows, grey and black.

There is something to love in every season and its turning. Once, years ago, I worked on a land-based oil rig for a few months. It was a rewarding experience but one of the things I enjoyed most, (and in contrast to most of working life), was that there were definable milestones and points of completion. You came onto a new site, you drilled the well, you finished it off and then moved to the next site. Planning, action, outcome. Progress.

Though most of us have long departed the land, Autumn is like that as well. In our culture, in our adages, in our folktales and in our storytelling, we still recognize Autumn as being that point where you do two things. You harvest the outcome of your efforts from the Spring and Summer. And related, but different from that, you prepare for the approaching trials of winter. In PoliSci terms, you might say that Autumn is the season of capitalists where you receive the return on your investments and manage your approaching risks.

In our separation from the land and our insulation from the vagaries of weather, we have removed ourselves and our children from some of these lessons which I think is unfortunate. As parents, one of the things we are constantly seeking to instill is a comprehension that there are consequences to actions. They may seem, from the perspective of a child, to be disproportionate, or unfair, or inconsistent but it is critical that they understand that there are consequences. No matter how much you may dislike them, there are decisions that need to be made, priorities established, hard choices elected and consequences borne. Nature's vagaries are a good reminder to children that the seeming unfairness of consequences are not something reserved to them but happen to us all.

I love the language of the King James Bible and one of my favorite passages is from Ecclesiastes 9:11,

I returned, and saw under the sun, that the race is not to the swift, nor the battle to the strong, neither yet bread to the wise, nor yet riches to men of understanding, nor yet favour to men of skill; but time and chance happeneth to them all.

Every year in early October we have the privilege of sharing a weekend in the mountains of western North Carolina with a community of friends. One of our family traditions on these occasions, is to spend part of the morning on Sunday before our return to Atlanta, picking apples in an orchard crowning one of the high crests in these mountains. Were we to do nothing at all, it would still be beautiful, looking out over the magnificent spread of views of the Appalachians.

There is a delight to children and parents alike in this process: the little ones climbing to pick just the right apple that no one else can reach, the parents watching the running, eager excitement of fresh-faced kids. No one can long resist the temptation of eating one of the sun-ripened sweet (or tart) apples, with dripping, sticky juice getting out of hand. On our return home, the sack of apples sits there in the corner of the kitchen for a week or so, a daily challenge to eat as many as we picked, and in the end the sensory delight of apple pies and apple crumble.

But this year there was more of a lesson than a traditional picking experience. We had sharp, late spring frosts in the mountains, just as the apple trees were in blossom. What survived that, perished in the continuing drought we have experienced. The kids could not finish the weekend without at least visiting our favorite orchard. While there was no picking to be done, we were able to support the farmer by purchasing apples trucked in from Virginia - not the same experience, of course, but a token of concern.

It was a sobering reminder that harvest does not always bring us what we expect, that good efforts and planning can come to nought, and that there is an inherent unfairness in life that in fact is life. It is our preparation for the unexpected and our commitment and support of one another that makes things not only bearable but rewarding. These are complex lessons easily burdened down by seriousness but Autumn frames them clearly in ways that are very comprehensible to children.

The flip side of this experience, though, is the manifest richness and bounty all about us. I can never decide when Nature is at her most flagrant, Spring or Fall. Here in the US we of course have the wonderful traditional holiday of Thanksgiving that marks the celebration of harvest completed - marked by feasting and celebrating.

Below is a collection of stories marking the bringing in of the harvest, of Autumn, of pumpkins and of apple picking.


Picture Books

Christopher's Harvest Time by Elsa Beskow Recommended
The Thanksgiving Story by Alice Dalgliesh and illustrated by Helen Sewell Suggested
Little Red Hen by Paul Gadone Suggested
The Ox-Cart Man by Donald Hall and illustrated by Barbara Cooney Recommended
Johnny Appleseed by Reeve Lindbergh and Illustrated by Kathy Jakobsen Highly Recommended
Blueberries for Sal by Robert McCloskey Highly Recommended
Puss In Boots by Charles Perrault and illustrated by Fred Marcellino Suggested
The Ant and the Grasshopper by Aesop and illustrated by Amy Lowry Poole Suggested
Little Red Hen by Jerry Pinkney Suggested

When the Frost is on the Punkin by James Whitcomb Riley and illustrated by Glenna Lang Out of Print Suggested

Little Red Hen by Margot Zemach


Independent Reader

The Classic Treasury of Aeseop's Fables by Aeseop and illustrated by Don Daily Suggested
The First Thanksgiving by Jean Craighead George and illustrated by Thomas Locker Suggested
Possum's Harvest Moon by Anne Hunter Suggested
N.C. Wyeth's Pilgrims by Robert D. San Souci and illustrated by N.C. Wyeth Suggested
Farmer Boy by Laura Ingalls Wilder Recommended

October 21, 2007

Stories from Many Lands

Passionate as we might be about books and reading it is worthwhile remembering (and paraphrasing that wonderful old number from Casablanca), that a book is just a book. Yes it can be the door into thoughts, knowledge and experiences not otherwise accessible. But it is still a simple physical thing and as subject to misinterpretation, error, and misrepresentation as anything else we deal with in daily life.

In some respects books, a doorway into other times and places, are a little bit like those sci-fi stories where the spaceship has an errant warp drive that takes you someplace very quickly but you don't know where it is until you arrive (if then) or what you will find there.

Which books (i.e. which authors and illustrators) will take you someplace remote in time and distance and tell you something true about that destination? But first we need to answer (Philosophy Alert! Philosphy Alert!) - What is truth? This is verging on a set-up for a Monty Python skit. Bring out the Holy Hand Grenade.

Does a Disney version of Sleeping Beauty tell you much about Old Europe or does it tell you more about more about the middle-class tastes and desires of 1950's America? Is Little Black Sambo a virulent racist screed or an innocent child's story made up by a traveling colonial mother to entertain and distract her children on a long and uncomfortable train journey? Should all stories from the past be filtered and judged solely on our ever-shifting value-judgments of today? Deep waters these.

Waters made murkier and deeper by our seemingly ever-increasing sensitivity to perceived slights and insults. Which is not to say that there isn't much that can be offensive and distasteful about stories from the past or from countries with different traditions and values. But one of the wonderful elements of the adventure of reading is in the discovery of the new and different which, in turn, may be uncomfortable and disturbing. In fact, if it is comfortable, it probably isn't new or different.

I think it is the mark of a liberal mind (in the classic sense of the word) to have the capacity to read something and understand it in its context. I think it is more than worthwhile for our children to understand that knowledge, ideas, and judgments change over time. What was once acceptable in one context is now unacceptable and vice-versa. It is also worthwhile for them to put themselves into the context of a different place or time and understand how they might respond differently or not. Sometimes, if we were to put ourselves into the context of a different technology, a different economic system, a different values system, a different power structure, it becomes apparent that (as opposed to some non-existent ideal world), the choices were different, hard, and more limited. What would we have done?

And sometimes we are just left wondering. I have on a number of occasions read of Europeans massacring one another in the New World in the mid 1500s, as for example when the Spaniard Pedro Menendez de Aviles, massacred several hundred French Huguenot settlers in north-eastern Florida, in part because they were encroaching on land claimed by Spain and in part because, as Protestants, he viewed them as heretics. It just seems incomprehensible to me that these small numbers of Europeans, far from home, perched in a hostile situation on the edge of an unexplored and mysterious continent, subjected to an environment with which they were unfamiliar and unadapted and confronted by antagonistic locals, should have prioritized extermination of their fellow Europeans because of doctrinal differences as more important than all the other challenges they faced. But just because I don't understand doesn't change the fact that it happened and therefore exposes the poverty of my comprehension. But plus ca change.

Exposure to different countries and cultures is not an exercise in eating at a restaurant with foreign cuisine, or watching a foreign art movie. It is not just the exotic. It is about the fundamentals of life and death and living. Not of differences of habit with which we are unfamiliar but differences in a world-view that hovers beyond our grasp. As some say about the Sixties ('If you remember it, you weren't there'), so it might be said that truly understanding that which is different from you really means understanding how much you don't understand.

When we moved to Australia a number of years ago, I thought to myself that this would be an easy transition. I had lived in the US which shared a somewhat similar colonial, rural, and westward expansion ethos. I had also lived in the UK, from whence most of Australia's people came and with whom they had much shared history. Surely Australian culture would be some synthesis of these cultures with which I was so familiar.

It was a good lesson in not letting your thinking get ahead of your experience. Of course Australian culture was its own wonderfully unique thing and we spent five and a half years discovering its many facets and left feeling like we had but scratched the surface. Yes there were parallels to the US and to the UK but they were only that: parallels. Knowledge of the US and UK was of marginal benefit in understanding all the other influences that had melded and molded modern Australia.

Having lived in more than half a dozen countries on four continents and traveled and worked in many others, I know I don't have the answers. What I do know is that understanding and empathizing with those that are different from us, in whatever way, is hard work calling for much more than the throw-away slogans and inconsequential mantras that pass for insight into the other. Louise MacNeice captured this sense of both the wonderment and the frustration in trying to comprehend that which is so alien to ourselves.

Louise MacNeice Autumn Journal

The Glory that was Greece: put it in a syllabus, grade it
Page by page
To train the mind or even to point a moral
For the present age:
Models of logic and lucidity, dignity, sanity,
The golden mean between opposing ills...

But I can do nothing so useful or so simple;
These dead are dead
And when I should remember the paragons of Hellas
I think instead
Of the crooks, the adventurers, the opportunists,
The careless athletes and the fancy boys,
The hair-splitters, the pedants, the hard-boiled sceptics
And the Agora and the noise
Of the demagogues and the quacks; and the women pouring
Libations over graves
And the trimmers at Delphi and the dummies at Sparta and lastly
I think of the slaves.

And how one can imagine oneself among them
I do not know;
It was all so unimaginably different
And all so long ago.

The other thing I know, and hope for and fear, is that our children will be ever more challenged to engage with those that are different from themselves. Technology, the boon and bane of our existence, is indeed making the world smaller, throwing people from all sorts of different backgrounds together in an exciting but sometimes unnerving goulash. The better grounded our children are in their own traditions while being made aware of those of others, the more likely they will be able to navigate these tricky waters.

So what are some good books to expose children to Stories from Many Lands? As someone once said in reference to translated poetry: if beautiful, not true; if true, not beautiful. So it can be with books attempting to introduce stories from one culture to another. Below are an assortment of folktales, travelers tales, and stories that expose children to different countries and ways of thinking. We have attempted to strike an impossible balance between those that hue close to an original source while rendering in a way comprehensible and enjoyable to someone unfamiliar with that culture. Let us know if there are other candidates you would recommend.

Picture Books

The Barefoot Book of Animal Tales by Naomi Adler and illustrated by Amanda Hall
Madeline by Ludwig Bemelmans
Peter's Old House by Elsa Beskow
Snipp, Snapp, Snurr and the Red Shoes by Maj Lindman
The Race of the Birkebeiners by Lise Lunge-Larsen and illustrated by Mary Azarian
Raven: A Trickster Tale from the Pacific Norhwest by Gerald McDermott
The Stonecutter by Gerald McDermott
Indian Tales by Shenaaz Nanji and illustrated by Christopher Corr
Anatole by Eve Titus


Independent Reader

The Secret Garden by Frances Hodgson Burnett and illustrated by Tasha Tudor
Finn Family Moomintroll by Tove Jansson
The Adventures of Pippi Longstocking by Astrid Lindgren and illustrated by Michael Chesworth
The Railway Children by E. Nesbit

Young Adult

Hans Brinker or the Silver Skates by Mary Mapes Dodge
The Histories by Herodotus
Death in Venice and Other Tales by Thomas Mann
The Kite Rider by Geraldine McCaughrean

October 28, 2007

American Military Stories

As the song says - "War, huh, yeah; What is it good for?; Absolutely nothing." Except, of course, self-preservation. Veterans Day (November 11) approaches and is the catalyst for how to discuss war with young children. It is not an easy matter. Being logic machines, they of course want to know how to square the fact of war with the sixth commandment (or fifth depending on your religion): Thou shalt not murder.

We have always taken the position with our children that war is always a disaster for individuals and for nations but that it is sometimes an unavoidable disaster. There is no such thing as a good war, though some wars may be more clearly unavoidable than others.

At the same time we have tried to strike a balance with them: the crucible of war that destroys so much also often presents the extreme circumstances that permit acts of unalloyed giving, self-sacrifice, and nobility. So the challenge becomes how to extract the examples and valuable lessons of personal conduct and noble goals from the context of war without glorifying war itself.

And all of this is made even more difficult by matters of gender and maturity. With our limited sample of three (though friends confirm similar experiences), it would seem that a fascination with violence and the action of war is manifested to a greater extent among our young boys than our young girls. Presuming this to be generally true, we then face the conundrum that we want boys to read more but at the same time may not want them to read more of that which they are more strongly interested in: war and action.

On the maturity front you have the issue that war mirrors in some ways the turmoil of the young adult years as they carve out their own identity, autonomy and independence. Just as battle and strife often force an accelerated self-learning and self-awareness on the part of soldiers, so teenagers are attempting to forge their own beliefs under what they believe to be trying if not traumatic circumstances. It is appealing to young adults to read of others experiencing the same process under different circumstances.

Rather than try and tackle the larger topic of war in general, the books we list here are really focused on what it means to be an American citizen soldier: what are the experiences? what are the consequences? what is lost and what is gained?

This mirroring of young adult turmoil shows up in the distribution of good titles across the reading ranges. There really aren't all that many picture books about being an American soldier. There are a reasonable number at the independent reader level and there is a plethora at the Young Adult age.

With our boys that are interested in war and action, one of the things that we do with them that I think is a valuable mitigator in the long run, is to tell them stories of family loss. I have the advantage of having several generations of aunts and uncles who, on retirement, took up genealogy as a hobby. Consequently there is a reasonably good volume of information about who fought in what wars, going a good ways back.

When the boys have read a number of war books with enthusiasm, I make a point of finding a time to raise the topic of some family member that was lost in some past war, usually leading the conversation to a discussion of what might have been (just imagine if X had lived through that battle, the rest of the family might not have moved west after the war…). I try to not make it an obvious connection to what they are reading and I have not had to do it more than a half dozen times over a few years, but I think it does temper the youthful infatuation with glory and heroism with some real world realization of the consequences.

Finally - and making up for the absence of picture books a little - there are some wonderful poems that I think do strike the balance between heroism and nobility in the midst of war while emphasizing the destructiveness of war. See in Thing Finder Grandmother's Story of Bunker Hill by Oliver Wendell Holmes, Molly Pitcher by Kate Brownlee Sherwood, Barbara Frietchie by John Greenleaf Whittier and Kentucky Belle by Constance Fenimore Woolson.

As an addendum, Peggy Noonan had an article in the Wall Street Journal a little more than a year ago, March 30, 2006 - Patriots, Then and Now which makes for interesting reading.


Picture Books

The Story Of The H.L. Hunley And Queenie's Coin by Fran Hawk and illustrated by Dan Nance Recommended
The Gettysburg Address by Abraham Lincoln and illustrated by Michael McCurdy Highly Recommended
Paul Revere's Ride by Henry Wadsworth Longfellow and illustrated by Ted Rand Highly Recommended
There Come a Soldier by Peggy Mercer and illustrated by Ron Mazellan Recommended
The Last Brother by Trinka Hakes Noble and illustrated by Robert Papp Suggested
America's White Table by Margot Theis Raven and illustrated by Mike Benny Recommended
They Called Her Molly Pitcher by Anne F. Rockwell and illustrated by Cynthia von Buhler Suggested
H Is for Honor by Devin Scillian and illustrated by Victor Juhasz Recommended


Independent Reader

Turn Homeward Hannalee by Patricia Beatty Suggested
House of Sixty Fathers by Meindert De Jong Suggested
Annie Between the States by L.M. Elliott Suggested
April Morning by Howard Fast Suggested
Bull Run by Paul Fleischman and illustrated by David Frampton Suggested
Johnny Tremain by Esther Forbes and illustrated by Lynd Ward Recommended
Thunder at Gettysburg by Patricia Lee Gauch and illustrated by Stephen Gammell Suggested
Across Five Aprils by Irene Hunt Suggested
Rifles for Watie by Harold Keith Suggested
Best Little Stories from World War II by C. Brian Kelley Suggested
Best Little Stories of the Blue and Gray by C. Brian Kelley Suggested
Magic Treehouse Civil War on Sunday by Mary Pope Osborne and illustrated by Sal Murdocca Suggested
Magic Treehouse Revolutionary War on Wednesday by Mary Pope Osborne and illustrated by Sal Murdocca Suggested
Bridge to Terabithia by Katherine Paterson and illustrated by Donna Diamond Recommended
The Perilous Road by William O. Steele and Jean Fritz Suggested
Clara Barton Founder of the American Red Cross by Augusta Stevenson Suggested
Molly Pitcher Young Patriot by Augusta Stevenson Suggested
Mr. Lincoln's Drummer by G. Clifton Wisler Suggested


Young Adult

Band of Brothers by Stephen Ambrose Recommended
Flags of Our Fathers by James Bradley and Ron Powers Recommended
Flyboys by James Bradley Suggested
The Great Escape by Paul Brickhill Recommended
The Red Badge of Courage by Stephen Crane Recommended
Into the Valley by John Hersey and Donald Dickson Recommended
Last Stand of the Tin Can Sailors by James D. Hornfischer Highly Recommended
Goodbye Darkness by William Manchester Recommended
We Were Soldiers Once...and Young by Harold G. Moore and Joseph L. Galloway Highly Recommened
With the Old Breed by E.B. Sledge Highly Recommended