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March 2008 Archives

March 1, 2008

Science Experiments in the Kitchen

One of my treasured but regretted books of childhood was The Boy Mechanic published in 1960 by Popular Mechanics magazine. I do not know where or under what circumstances it was acquired but it was always there on the bookshelf. I used to love leafing through its pages filled with diagrams of things one could build, illustrated with those wonderful old blue prints, drawings and sketches of that era. A go-cart tank, your own cannon, a crystal radio - it had it all. Unfortunately all I could ever do was gaze at these marvelous projects. We lived in third world countries which undermined the opening paragraphs of each project. "Go to your local hardware store and obtain the following items to construct this . . ." Most places we lived either did not have a hardware store, or if it did, it did not have the things required. I loved that book and its projects but it was a vicarious and unrequited love.

In fifth and sixth grade I was living in Sweden and attending the Anglo-American School (now the International School) in Stockholm. We had a nice little school library, big enough for the basics and a bit more, small enough to never feel overwhelmed. Small enough also to never feel out of the direct eyesight of Miss White, the stern librarian. Once you got to know her, and particularly once she knew you liked the books under her care, she was very approachable and friendly but all of us were usually on eggshells in her presence.

From that period there are two library books in particular that I recall and which I regularly checked out and read; repeatedly. One was a bright orange book titled something along the lines of Can Pigs Swim? It covered all sorts of improbable questions such as whether pigs can swim or not, with the answers jocularly written but based on factual information.

The other book I can see so clearly in my minds eye and yet I cannot recall the title at all. Judging by my recollection of the accompanying photo illustrations, it must have been written in the late fifties or early sixties. The substance of the book was a series of experiments one could conduct in the home with readily available household products. The author described the materials required, how to conduct the experiment and then had a very short essay elaborating the underlying scientific principles. Whether it was well written or not, I don't recall, but it did deliver on that premise - the experiments were easy to do and the materials were readily available.

Whoever wrote it kept everything simple but infused each experiment with a sense of magic. One of the simple ones, which you can do at home right now if you want, involved only an egg and some salt. The author used this experiment to discuss granularity and friction but presented it as a magic trick. From recollection, the instructions were along the following lines.

Practice this on your own first before trying it with a friend. Obtain an egg and some salt from a salt shaker. Shake a small amount of salt into the palm of your hand then put away the shaker. Not too much. Keep your hand discreetly hidden so that the salt cannot be seen.

Find a subject upon whom to play your trick. Standing by a table or some other hard flat surface, hand your friend the egg and challenge them to make it stand up straight without breaking the shell. They might try balancing the egg a number of times but will soon abandon the effort as impossible. Tell them that it is easy. They will almost certainly challenge you to prove it.

Take the egg back from them. Lick the base of the egg and then cup it in the palm of your hand (the one with the light sprinkling of salt). Hold it out to your friend to show them how easy it is to make the egg stand upright. They will protest that that is cheating, that you need to make it stand upright on the flat surface of the table. Acting surprised, take the egg from the cupped palm of your hand. Make sure that there is a small, unnoticeable amount of salt adhering to the base of the egg where you licked it. What you will find is that as you carefully place the egg on the table, the small crystals of salt will act as a base for the egg and will support it upright. If you were suitably sparing in the use of the salt, it will not be apparent to your friend and you will appear to have done the impossible.


Literacy, numeracy and experience - three pillars upon which the intellectual and, later, moral, health of our children are built. Or to translate using George Orwell's counsel (Politics and the English Language ) to always use old Anglo-Saxon words in order to make it more concrete: Reading, counting and doing. If you can, one of the more fun aspects of bringing your kids along is the doing part. Whether it is hikes in the woods, visits to zoo and museums, building things or doing science experiments in the kitchen, they can be fun and illuminating. The trick is to keep it simple, especially with regard to finding the really simple experiments.

Even without knowledge or instruction, simply having chemistry sets around or Erector sets or Meccano or Lego gives a child the freedom to discover, to try things by trial and error, to build. I received a chemistry set when I was about six or eight years old and spent many happy hours with it. Sometimes I attempted to follow the instructions to achieve some end such as copper crystals or some such. Sometimes I just randomly mixed chemicals to see what would happen. Either approach was like as not to lead to an interesting outcome.

Letting the kids help in the kitchen as early as possible is a great way to build key skills they can later use for science. It takes invested time at first to supervise kids in the kitchen but they pretty quickly become almost useful for other purposes such as fixing a meal. But while they are in there, enjoying your company and the smells of the dishes and the easy conversation, they are also learning the rudiments of science; How to measure things; Why it can sometimes make a difference the order in which ingredients are mixed; The fundamental principles of thermodynamics (cooking things and freezing things).

It is not uncommon then, at an early age (four to six perhaps), for them to want to stretch their experimental wings and start trying to prepare food on their own. One of ours would spend many happy hours mixing the most improbable ingredients to come up with some threatening looking liquid, goo or dish of some sort, with the confident declaration (despite having tasted it) that it was delicious. This is about as safe an environment for the practice of experimentation as you can get (as long as you limit their access to sharp blades and powerful mixers).

Messing around in this safe proto-lab imparts far more knowledge than one can reasonably anticipate. It doesn't take much scratching around to find all sorts of kitchen experiments, whether intended or not. I have on occasion shared with the kids the story of Sally in the kitchen with a mixer to illustrate the concept of centrifugal force.

It was early in our marriage, maybe a Friday or Saturday afternoon/evening. Sally was in the kitchen baking a cake for some party. As she stood over a large bowl with a handheld beater, I came in to ask her a question. Half turning to answer me, she inadvertently raised the handheld beater out of the batter with unexpected but predictable results. When we moved out of that house a couple of years later we were still finding traces of batter in the nooks and crannies around the kitchen. Exhibit A for centrifugal force.

Below are a series of adequate books that can help serve as a catalyst for science experiments that can more or less easily be done around the house or in the kitchen. I am afraid I have not recently seen any that stand out as truly excellent or that are available in print. These are, however, useful as reference type books to get started with. If there are any books you would particularly recommend, please respond in the comments section below or by e-mail.

Independet Readers

101 Great Science Experiments by Neil Ardley Suggested
Science is Simple: Over 250 Activities for Preschoolers by Peggy Ashbrook Suggested
Science Projects for Young People by George Barr Suggested
Science Experiments by Jane Bingham Suggested
Bubbles, Rainbows and Worms: Science Experiments for Preschool Children by Sam Brown Suggested
Pop Bottle Science by Lynn Brunelle Suggested
365 More Simple Science Experiments With Everyday Materials by E. Richard Churchill Suggested
365 Simple Science Experiments With Everyday Materials by E. Richard Churchill Suggested
Science Experiments You Can Eat by Vicki Cobb Suggested
The Thomas Edison Book Of Easy And Incredible Experiments by James G. Cook Suggested
Science Project Ideas About Kitchen Chemistry by Robert Gardner Suggested
Creepy Crawlies And The Scientific Method by Sally Stenhouse Kneidlel Suggested
Science in the Kitchen Kid Kit by S. Meredith Suggested
Experiments You Can Do in Your Kitchen by Q.L. Pearce Suggested
47 Easy-To-Do Classic Science Experiments by Eugene F. Provenzo Suggested
The Ben Franklin Book of Easy and Incredible Experiments/Activities, Projects, and Science Fun by Lisa Jo Rudy Suggested
Secret Science by Steve Spangler Suggested
700 Science Experiments For Everyone by UNESCO Suggested
Chemistry For Every Kid: 101 Easy Experiments by Janice VanCleave Suggested
Janice Vancleave's 200 Gooey, Slippery, Slimy, Weird and Fun Experiments by Janice VanCleave Suggested
190 Ready-to-Use Activities that Make Science Fun! by George Watson Suggested
Weird Science by Jim Wiese Suggested

March 9, 2008

Living on a River

Rivers flow through our life but there is a curious paucity of books in children's literature of stories set on a river. And that is most peculiar when you consider just how central rivers have been in the development of human society. Fortunately, however scarce they might be, the river stories that there are, are wonderful.

Man's first tentative steps away from the trials of living by hunting/gathering came on the shores of rivers, most famously on the Nile, the Jordan and the Tigris/Euphrates rivers but elsewhere around the world as well. Rivers exert an ancient tug at the ancestral memory. The very names are charms calling up romance, adventure, exotic locations of different peoples and different ways: The Nile, the Indus, Mississippi, the Yellow River, the Congo, the Yangtze, the Amazon, the Ganges, the Niger, the Tigris and the Euphrates, the Jordan, the Murray Darling, the Mekong and the Irrawaddy. You can almost smell the romance of adventure with these names.

Few capture it better than that subtle bard of the British Empire, Kipling, as in his poem Mandalay (on the Irrawaddy). See Thing Finder for the full poem.

Mandalay By Rudyard Kipling

By the old Moulmein Pagoda, lookin' eastward to the sea,
There's a Burma girl a-settin', and I know she thinks o' me;
For the wind is in the palm-trees, and the temple-bells they say:
"Come you back, you British soldier; come you back to Mandalay!"
Come you back to Mandalay,
Where the old Flotilla lay:
Can't you 'ear their paddles chunkin' from Rangoon to Mandalay?
On the road to Mandalay,
Where the flyin'-fishes play,
An' the dawn comes up like thunder outer China 'crost the Bay!

Then there is of course the bucolic brook in an idyllic English setting. (Full poem also at Thing Finder)

The Brook by Alfred Lord Tennyson

I come from haunts of coot and hern,
I make a sudden sally
And sparkle out among the fern,
To bicker down a valley.

By thirty hills I hurry down,
Or slip between the ridges,
By twenty thorpes, a little town,
And half a hundred bridges.

Till last by Philip's farm I flow
To join the brimming river,
For men may come and men may go,
But I go on for ever.

One of the aspects in which rivers resemble life is that they conjoin in the same entity both change and continuity. The exact path, volume and even to a degree, the nature of a particular river is subject to change on a day-to-day basis. And yet it remains broadly recognizable for what it is, was and will be. Interestingly, in linguistics, river names are one of the markers for linguistic archaeology. River names tend to remain the same regardless of who has settled the territory. In Europe, for example, the Rhine, Neckar, Inn, Seine, Marne, Thames, Severn, Avon, Tyne, Shannon and many others are not Romance names from a Latin based language or Germanic names. Rather, they are all remnants of the earlier inhabitants, the Celts.

Likewise, here in the States, with a new people settling a new land, those that were here earlier can not be forgotten because it is their river names we use: the Mississippi, Ohio, Chattahoochee, Missouri, the Allegheny, the Connecticut, the Arkansas, etc.

The rivers captured in young children's stories are usually places of mild adventure and exploration (The Story About Ping, Wind in the Willows, Where the River Begins, Paddle to the Sea, etc.). That of course belies the reality that rivers are a fundamental force of nature, never to be taken for granted. There are a couple of first rate older reader/ young adult level books that explore the force and potential for terror of rivers such as David McCullough's The Johnstown Flood as well as a picture book, Kate Shelley: Bound for Legend. I think though that the best introduction to powerful rivers for younger children is 'Banjo' Paterson's Mongrel Grey poem (in Thing Finder).

Rivers offer a great object lesson in change and continuity, in the mechanics of force, in ecology, etc. In the woods near us, there are a couple of creeks that are always fun to muck around in, search for pretty stones or Indian pottery, etc. It is always impressive to the kids though, (and to me), after a reasonable rainfall, how swollen the river becomes and just how much raw force there is in this deceptively gentle force of nature. Wading out into the swiftly flowing creek, while it is still raised from the rain, you can feel the hungry, almost insidious tug at your rain boots as if it were wishing to pull you away on its journey.

Being an ever more urban concentrated population, fewer and fewer kids have the opportunity to wade about in a river, scrabble around embankments, and to mess around with boats (per Rat of in Wind in the Willows - "There is nothing - absolutely nothing - half so much worth doing as simply messing about in boats."). While this is regrettable, there are still plenty of books that can introduce your children to the wilds, wonders and charm of a river.

Picture Books

Canyon by Eileen Cameron and illustrated by Michael Collier Suggested
Scuffy the Tugboat by Gerturde Crampton and illustrated by Gergely Tibor Recommended
The Story About Ping by Marjorie Flack and illustrated by Kurt Wiese Highly Recommended
Little Toot by Hardie Gramatky Highly Recommended
The Raft by Lim LaMarche Recommended
Where the River Begins by Thomas Locker Recommended
Kate Shelley: Bound for Legend by Robert D. San Souci and illustrated by Max Ginsburg Recommended


Independent Readers

The River at Green Knowe by Lucy M. Boston and illustrated by Peter Boston Highly Recommended
River Boy by Tim Bowler Recommended
Trouble River by Betsy Byars Suggested
A River Ran Wild by Lynne Cherry and illustrated by Emily Arnold McCully Suggested
A Girl Named Disaster by Nancy Farmer Suggested
The Wind in the Willows by Kenneth Grahame and illustrated by Michael Hague Highly Recommended
Minn of the Mississippi by Holling C. Holling Suggested
Our Only May Amelia by Jennifer L. Holm Recommended
Journey to the River Sea by Eva Ibbotson and illustrated by Kevin Hawkes Highly Recommended
Call of the Wild by Jack London Highly Recommended
The River by Gary Paulsen Recommended

Young Adult

The Heart of Darkness by Joseph Conrad Highly Recommended
Rising Tide The Great Mississippi Flood of 1927 and How It Changed America by Deborah Kent Highly Recommended
The Blue Nile by Alan Moorehead Recommended
The White Nile by Alan Moorehead Recommended
The Johnstown Flood by David McCullough Suggested
The Adventures of Huckleberry Finn by Mark Twain and illustrated by Steven Kellogg Highly Recommended
The Adventures of Tom Sawyer by Mark Twain and illustrated by Barry Moser Highly Recommended

March 14, 2008

Something from Nothing

As a parent, the first few years of our children's lives are momentous. There are so many balancing acts that you have to achieve. We try to protect them and at the same time push them out into the world to experience it. We try and fill them up with knowledge and wisdom but in doing so sometimes we risk emptying them of wonder and awe.

For a new born child, the whole world is a mystery and every moment is an act of discovery. Acquiring new experiences and knowledge of that world out there beyond our fingertips is an absorbing and exhausting adventure (for parent and child). As a parent we are seeking to fill our children up with knowledge about the world and how to live in it. But every act of knowledge creation is also an act that erodes wonder and we should always seek to balance those processes.

The act of switching on a light is a magical thing in the beginning. One motion and instantly there is illumination where there was only darkness. When we learn about electricity, and wires, and bulbs and filaments and Edison - these are wonderful things too but filling up the bowl of knowledge drains the bowl of magic just a bit. There are two paths that run in parallel with one another, sometimes crossing, sometimes merging, sometimes ahead or behind. You might call these paths, knowledge and belief and the spark of wisdom comes at their intersection. Life is an act of doing and making and creating but it also an act of feeling and believing.

As so often is the case, Sir Winston Churchill has some interesting observations. In this instance, from his My Early Life, he is referencing his sudden deep reading while stationed in India and the upset that that brought to his comfortable religious views.

As it was I passed through a violent and aggressive anti-religious phase, which, had it lasted, might easily have made me a nuisance. My poise was restored during the next few years by frequent contact with danger. I found that whatever I might think and argue, I did not hesitate to ask for special protection when about to come under the fire of the enemy: nor to feel sincerely grateful when I got home safe to tea. I even asked for lesser things than not to be killed too soon, and nearly always in these years, and indeed throughout my life, I got what I wanted. This practice seemed perfectly natural, and just as strong and real as the reasoning process which contradicted it so sharply. Moreover, the practice was comforting and the reasoning led nowhere. I therefore acted in accordance with my feelings without troubling to square such conduct with the conclusions of thought.

It is a good thing for an uneducated man to read books of quotations. Bartlett's Familiar Quotations is an admirable work, and I studied it intently. The quotations when engraved upon the memory give you good thoughts. They also make you anxious to read the authors and look for more. In this or some other similar book I came across a French saying which seemed singularly apposite. 'Le coeur a ses raisons, que la raison ne connait pas.' It seemed to me that it would be very foolish to discard the reasons of the heart for those of the head. Indeed I could not see why I should not enjoy them both. I did not worry about the inconsistency of thinking one way and believing the other. It seemed good to let the mind explore so far as it could the paths of thought and logic, and also good to pray for help and succour, and be thankful when they came. I could not feel that the Supreme Creator who gave us our minds as well as our souls would be offended if they did not always run smoothly together in double harness. After all He must have foreseen this from the beginning and of course he would understand it all."


The journey along these two paths is powered by that one remaining treasure in Pandora's box - Hope. Without hope and from it a commitment to the future, there is little to drive things forward. The material world, the world of science and reason and logic is one of trade-offs and choices. If I spend time reading this book I am not spending time on the soccer field. If use this wood to build a pine wood derby racer, I cannot use that same wood for kindling a fire.

We often tell our children that there is no free lunch, someone always pays. This is completely true in the material world, the logical world. But one's life is more than the sum of materials, it is also how you view things, feel things, believe things. And here the whole is often not the sum of the parts. Sometimes there is something to be had for nothing - it is merely an act of conjuring up a different way of viewing things to arrive at a greater richness.

There are many marvelous children's stories that help children understand that part of the continuing magic of life is our ability to see how sometimes, by changing your focus, you can suddenly have something from nothing. The best examples of this are of the optical illusion variety - for example, the old classic of the image which, depending on how you shift your focus, appears to be either a beautiful young woman turned partly away from you or an old woman facing towards you. There is nothing more to the image than when you started, only how you view it.

Young_Girl_WEHill_in_Puck_Mag_1915.jpg

So what are the stories that help our children to understand the shifting of perspective and how to achieve something from nothing? There are of course the multitude of optical illusion books of which we include some in the list below. But in terms of stories, perhaps there is none better to start with than Marcia Brown's retelling of the old folk story, Stone Soup in which three hungry and weary soldiers returning from the front come to a village of distrustful villagers who have hidden away all their goods and supplies. The hungry soldiers ask for some food but are told that there is none to be had. They accept this but then ask for just a pot and some water so that they can make stone soup.

The curious villagers produce the pot and water, one of the soldiers produces a "special" stone from his knapsack and places it in the pot. A fire is started with the soldiers sitting around it, talking to another of the wonderful stone soup they are about to have - a dish of which the villagers have never heard and are immensely curious. One soldier remarks to another that it is too bad there are no potatoes because that would make it that much better. One of the curious villagers offers that he might have a few potatoes at the back of an old cupboard and rushes off to fetch them. The soldiers keep on down this path; too bad there are no carrots, too bad there is no pepper, too bad there is no meat. And with each suggestion, a villager rushes off to find that next ingredient that will make the stone soup just that bit more delicious.

Off course by the end of the exercise, the soldiers have incrementally tricked the villagers into providing all the ingredients for the wonderful soup - all ingredients that they had in the first place but had been unwilling to share. And still the villagers don't realize what is going on. They lay out a grand feast and everyone has a marvelous time sharing this wonderful soup, this soup made from a simple stone. And the soldiers, quietly and happily, share a wink with one another, masters of having conjured something from nothing.

There are other stories as well. The Wizard of Oz, famously turns in the end on a change in comprehension on the part of the Lion, the Tinman and Scarecrow. Despite all their adventures, what Dorothy points out to them is that they respectively had all along what they sought; courage, a heart and intelligence.

Similarly, one of the stories in Else Holmelund Minarik's classic Little Bear is Little Bear's Fur Coat. It is cold and wintery outside and Little Bear keeps coming in to ask his mother to add something to make him warmer; gloves, scarf, hat, etc. When he comes in the last time, she takes everything off to reveal that he has a fur coat for the cold.

Another folktale in somewhat similar vein to Stone Soup are the Puss-in-Boots stories. In this instance, there is somewhat greater emphasis on trickery but the outcome is that the boy ends up with wealth and wife because of people's belief in the tales told by his cat.

One of my favorite collections of family stories is Kathryn Forbes's Mama's Bank Account in which the title story is about the mother in this immigrant family always answering a child's request for some new doodad with the question as to whether it is worth taking the money out of the bank account and what else might that money in the bank be better used for. Every one of these conversations ends with the child deciding that it is better not to spend the money now on the doodad. It is only years later that the children discover that there was no bank account in the first place. What they got was the satisfaction of making a good decision based on a non-existent bank account.

There are other classes of something from nothing stories. There are of course the various creation stories, both religious and literary (such as The Magicians Nephew in which Aslan sings the world into existence). Not quite what we are talking about here, but there are plenty of stories where a child receives something for making the right decision: not quite something for nothing but in the vicinity. Beauty and the Beast where Beauty gains love from having kept a promise, The Talking Eggs where the little girl is rewarded with wealth for doing as she is told, etc.

There is, of course, also, the whole category of stories where people create something by investing work to use what already exists to create something better. Stop the Train, The Gardener, Mysterious Island, The Swiss Family Robinson, Robinson Crusoe, and any pioneering story such as Little House on the Prairie, or story of scientific discovery such as Something Out of Nothing: Marie Curie and Radium.

Finally, there are stories that tell children about the beauty of gift giving where nothing is owed but it is given in the cycle of life. Richard Jorgenson's Reading With Dad is a favorite of mine in this area. All it is, is the story of the bond that is created between a father and his daughter as they read together through her childhood and as she grows. It is a simple story and very touching. Others of this ilk would include Mary on Horseback and another favorite of mine, Silver Packages. This is a good one for also establishing the interconnectedness of life and generosity.

In this story, a wealthy man driving through the Appalachians one winter evening, drives off the road and is rescued and sheltered by one of the poor mountain inhabitants. From that point on, every year just before Christmas, he charters a special train, distributing silver packages to the children of the mountain hamlets. One boy hopes for a particular present every year. Over the years he receives gloves, and shoes and a scarf and some little toys, but never the big thing that he hopes for. He grows-up, shakes off the poverty of his childhood and goes away to university and becomes a doctor. But later, he gives his own gift back by returning to his community to becomes its much needed doctor. Marvelous story.

What are your favorite something from nothing stories?

Picture Books

Stone Soup by Marcia Brown Highly Recommended
Reading With Dad by Richard Jorgensen and illustrated by Warren Hanson Highly Recommended
Puss-in-Boots by Charles Perrault and illustrated by Fred Marcellino Highly Recommended
Silver Packages by Cynthia Rylant and illustrated by Chris K. Soentpiet Highly Recommended
The Talking Eggs by Robert D. San Souci and illustrated by Jerry Pinkney Recommended
The Gardener by Sarah Stewart and illustrated by David Small Highly Recommended

Independent Reader

The Wonderful Wizard of Oz by L. Frank Baum Highly Recommended
Robinson Crusoe by Daniel Defoe Highly Recommended
Mama's Bank Account by Kathryn Forbes Highly Recommended
The Magician's Nephew by C.S. Lewis and illustrated by Pauline Baynes Highly Recommended
Stop the Train! by Geraldine McCaughrean Recommended
Something Out Of Nothing by Carla Killough McClafferty Suggested
The Mysterious Island by Jules Verne and illustrated by N.C. Wyeth Highly Recommended
Mary on Horseback by Rosemary Wells and illustrated by Peter McCarty Recommended
Little House on the Prairie by Laura Ingalls Wilder and illustrated by Garth Williams Highly Recommended
The Swiss Family Robinson by Johann David Wyss and illustrated by Lynd Kendall Ward Recommended


March 23, 2008

Easter

Perhaps my favorite holy day in the Christian calendar, Easter is a curious combination of seasonal change, holy contemplation, and an amalgam of pagan symbols and rituals. As today is Easter I wish you all the best of this season and leave you with a couple of Easter poems.

Pippa's Song
Robert Browning

The year 's at the spring,
And day 's at the morn;
Morning 's at seven;
The hill-side 's dew-pearl'd;

The lark 's on the wing;
The snail 's on the thorn;
God 's in His heaven—
All 's right with the world!


Holy Thursday: 'Twas on a Holy Thursday, Their Innocent Faces Clean
William Blake

'Twas on a Holy Thursday, their innocent faces clean,
The children walking two and two, in red and blue and green,
Grey-headed beadles walk'd before, with wands as white as snow,
Till into the high dome of Paul's they like Thames' waters flow.

O what a multitude they seem'd, these flowers of London town!
Seated in companies they sit with radiance all their own.
The hum of multitudes was there, but multitudes of lambs,
Thousands of little boys and girls raising their innocent hands.

Now like a mighty wind they raise to heaven the voice of song,
Or like harmonious thunderings the seats of Heaven among.
Beneath them sit the aged men, wise guardians of the poor;
Then cherish pity, lest you drive an angel from your door.


Daffodils
William Wordsworth

I wandered lonely as a cloud
That floats on high o'er vales and hills.
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.

Continuous as the stars that shine
And twinkle on the Milky Way,
They stretched in never-ending line
Along the margin of a boy:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance

The waves beside them danced, but they
Out-did the sparkling waves in glee:
A poet could not but be gay
In such a jocund company;
I gazed--and gazed--but little thought
What wealth the show to me had brought:

For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.

A Prayer in Spring
Robert Frost

Oh, give us pleasure in the flowers in the flowers today;
And give us not to think so far away
As the uncertain harvest; keep us here
All simply in the springing of the year.
Oh, give us pleasure in the orchard white,
Like nothing else by day, like ghosts by night;
And make us happy in the happy bees,
The swarm dilating round the perfect trees.

And make us happy in the darting bird
That suddenly above the bees is heard,
The meteor that thrusts with needle bill,
And off a blossom in mid-air stands still.

For this is love and nothing else is love,
The which it is reserved for God above
To sanctify to what far ends He will,
But which it only needs that we fulfill.


Picture Books

The Golden Egg Book by Margaret Wise Brown and illustrated by Leonard Weisgard Recommended
The Story of Easter by Aileen Lucia Fisher and illustrated by Stefano Vitale Recommended
The Easter Bunny That Overslept by Priscilla Friedrich and illustrated by Ott Friedrich and Donald Saaf Suggested
The Easter Story by Anita Ganeri and illustrated by Rachael Phillips Suggested
The Country Bunny and the Little Gold Shoes by Du Bose Heyward and illustrated by Marjorie Flack Highly Recommended
Spot's First Easter by Eric Hill Suggested
Silly Tilly and the Easter Bunny by Lillian Hoban Suggested
The Bird's Gift by Eric A. Kimmel and illustrated by Katya Krenina Suggested
The Easter Rabbit's Parade by Lois Lenski Suggested
Rechenka's Eggs by Patricia Polacco Recommended
The Easter Story by Gennadii Spirin Suggested
Max's Chocolate Chicken by Rosemary Wells Suggested
The Easter Story by Brian Wildsmith Suggested
He Is Risen by Elizabeth Winthrop Recommended
The Bunny Who Found Easter by Charlotte Zolotow and illustrated by Helen Craig Recommended

March 26, 2008

Imagination

Our children are a parent's return ticket to a fresh world in which much is experienced and little is understood. It is one of nature's most intriguing feats, that a human child should be able to absorb such a torrent of information and begin to make some sort of sense of it in what is really just a brief few months.

Recognizing faces, shapes, sounds, voices, words and then beginning to parrot those things back to the outside world - beginning to find their own voice and eventually their own selves. There are miracles in legions if we simply consider them.

Helping your children learn to read, usually principally by spending much time reading to and then with them, brings back to mind that first time when your own eye stopped spending all its time decoding the squiggles on the page and you suddenly found yourself having been swept along a stream of consciousness powered by your imagination and steered by an author's words. That first magical journey of reading when you are encompassed by an incorporeal world of the mind.

What is this ethereal thing, imagination and how does it relate to reading? Imagination, n. - 1: the act or power of forming a mental image of something not present to the senses or never before wholly perceived in reality. It is a mysterious beast and not completely understood yet by our scientists and psychologists.

There is a relatively common phenomenon that illustrates the issue of imagination. Many people, at some point in their lives, dream of flying. I can vividly recall a handful of such dreams to this day, all the sensations of lifting off and flying, even though these dreams were years ago. The mystery is, how can you experience the sensation of flying, when you cannot actually fly and have not experienced the sensation of flying. I have read a number of articles over the years trying to unlock this conundrum with more or less plausible theories advanced but no received answer having been arrived at.

This ability to project one's mind into other experiences and circumstances is a powerful tool and is part of the magic of reading. I have never climbed the Matterhorn or Mount Everest but I have done so vicariously through the writings of others. Reading is no substitute for reality and for living in the real world itself but it certainly is a life multiplier. Just as a soldier with a revolver has a force multiplier when faced with adversaries armed with knives, the child with a book has a life force multiplier at hand. They have experienced, not completely and fully, but to a greater extent than might otherwise be possible, a world beyond that constrained by their family and income and educational circumstances. This is why reading is truly a magic door through which children can enter into a better world, and having entered, begin to change the circumstances in which they live.

Every act of reading is in itself and act of imagination, a shifting from a world of paper and scratchings on the paper to a fully formed mental world conjured by the imagination. This, regardless of the nature of the reading - it matters not whether it is fantasy, adventure, history, biography, instructions for assembly, etc. all depend on the child's ability to conjure.

So just the act of reading and being read to is a first step towards exercising the imagination. At its core, the exercise of imagination is not just the ability to conjure something from nothing. As often as not, it is the effort of viewing something familiar from an entirely new perspective. In this regard, there are some books that take a kind of mechanistic approach towards imagination; picture books where you have to find images hidden within pictures, books of acrostics, cross-word puzzles, etc. These appeal to some children and not others.

A much larger category of books that build the imagination by forcing the child to understand things from two (or more) different perspectives are all those involving word play of some sort; joke books, books of riddles, nonsense verse, and poetry.

Books of riddles are very much an exercise in imagination and have been around for centuries. The Exeter Book, a very early collection of riddles, is from the tenth century.

Per Wikipedia:

The riddles in this book vary in significance from childish rhymes and ribald innuendo, to some particularly interesting insights into the preChristian thought world of our archaic linguistic ancestors, such as the following (Riddle 47 from the Exeter Book):

Moooe word fraet. Me paet puhte
wraetlicu wyrd, pa ic paet wundor gefraegn,
paet se wyrm forswealg wera gied sumes,
peof in pystro, prymfaestne cwide
ond paes strangan stapol. Staelgiest ne waes
wihte py gleawra, pe he pam wordum swealg.

A moth ate words. I thought that was a marvelous fate, that the worm, a thief in the dark, should eat a man's words, his brilliant language and its sturdy foundation. Not a whit the wiser was he for having fattened himself on those words.

The answer called for by the poem is 'bookworm'. The meaning is metaphoric - the riddle expressing the skepticism of an oral culture in the face of a literacy revolution. The general technique of the riddle form is to refer obliquely to the subject by kenning and other sorts of figurative language; since kennings formed such an important element of alliterative verse forms in the Germanic languages, the riddles served the dual empirical purpose of puzzling the poet's audience and teaching the lore needed to successfully use or understand the poetic language. But riddles also served a more abstract role in Anglo-Saxon education, for they taught their listeners how to track two (or more) meanings at once in a single semantic situation, and a fortiori their very existence demonstrates that the pre-Christian Anglo-Saxons were not inhabiting a thought-world lacking in subtlety and complexity. There are at least eighteen distinct Anglo-Saxon words describing aspects of cognitive skill [frod, fero, onhaele, degol, cunnan, dyrne, hyge, hygecraft, hylest, heort, pencan, gleaw, sceolon, giedd, mod, sawol, heofodgimme, wis, snot(t)or, wat, swican - the list could be extended], a fact which attests to a culture valuing cognitive skills, albeit in an oral and not literate context. The god Odin was a master of riddle lore, and sparred with several of his foes using contests of riddles.


Of course the telling of riddles goes back even further, the most famous example being perhaps Oedipus's slaying of the Sphinx by answering the classic riddle of what walks on four legs in the morning, two at noon and three in the evening.

Poetry is in a class of its own for its ability to help children with word play, pattern recognition, imagination and storytelling. See Thing Finder on this site for many narrative poems that grab the attention of children and are great for reading to your child. There is nothing quite as rewarding as reading poems to young children for, with their native skill of mimicry, it is often not long before they are in turn reciting it back to you verbatim.

Beyond these classes of books that help foster imagination are those books which are in themselves either innovative and/or by their nature foster an active imagination. One of the founding fathers of this category would be Lewis Carroll's Alices Adventures in Wonderland in which all the ordinary day-to-day things in a child's life are turned topsy-tury; still recognizable but seen in a way never before considered.

We have left out poetry, riddles, etc. for separate lists but have included not only classics that were innovative in their time and spawned many derivative books but also contemporary books that cause you to look at things differently than you have before, while at the same time telling a gripping tale.

Picture Books

Grandfather Twilight by Barbara Helen Berger Highly Recommended
Bently & Egg by William Joyce Recommended
So Much Nonsense by Edward Lear Recommended
I Spy by Jean Marzollo and illustrated by Walter Wick Recommended
Look-Alikes by Joan Steiner and illustrated by Thomas Lindley Recommended
Bad Day at Riverbend by Chris Van Allsburg Recommended
Walter Wick's Optical Tricks by Walter Wick Recommended
Hey, Al! by Arthur Yorinks and illustrated by Richard Egielski Recommended

Independent Reader

Tuck Everlasting by Natalie Babbitt Recommendation
The Wonderful Wizard of Oz by L. Frank Baum and illustrated by W. W. Denslow and William Stout Highly Recommended
Tarzan of the Apes by Edgar Rice Burroughs Recommended
The Land That Time Forgot by Edgar Rice Burroughs and illustrated by J. Allen St. John Recommended
Alice's Adventures in Wonderland by Lewis Carroll and illustrated by John Tenniel Highly Recommended
Robinson Crusoe by Daniel Defoe Highly Recommended
Jungle Book by Rudyard Kipling and illustrated by Robert R. Ingpen Highly Recommended
A Wrinkle in Time by Madeleine L'Engle Highly Recommended
The Borrowers by Mary Norton and illustrated by Beth and Joe Krush Recommended
Gulliver's Travels by Jonathan Swift Highly Recommended
The War of the Worlds by H. G. Wells and illustrated by Tom Kidd Highly Recommended


Young Adult

Jonathan Livingston Seagull by Richard Bach Recommended
The Thirty-Nine Steps by John Buchan Recommendation
Escher on Escher by M. C. Escher and illustrated by J. W. Vermeulen Suggested
Frankenstein by Mary Wollstonecraft Shelley Recommended
A Connecticut Yankee at King Arthur's Court by Mark Twain Recommended
The Time Machine by H. G. Wells Recommended